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[FANS] Streetlight Manifesto & other works of Tomas Kalnoky
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[FANS] Streetlight Manifesto & other works of Tomas Kalnoky
And other works of Tomas Kalnoky
Streetlight Manifesto
Quote:
Streetlight Manifesto adalah band ska Amerika dari East Brunswick Township, New Jersey di bawah kepemimpinan kreatif Tomas Kalnoky. Mereka dianggap oleh banyak orang sebagai band bergenre Ska Punk atau 3rd wave ska, tetapi Kalnoky tidak setuju dengan itu karena dia menganggap mereka berada dalam genre mereka sendiri, dan banyak yang setuju dengan itu.
Quote:
Original Posted By Bio , according to Streetlight Manifesto official site
Of all the various compliments Streetlight Manifesto have received from fans over the years, there is one in particular that seems to resonate most with the members of the band. After a show, a kid in torn jeans and a Pantera shirt, sporting ridiculous facial hair, will find one of the Streetlighters outside of the club and say hello, followed by "Man, I don't listen to this kind of music, in fact I hate most ska bands, but you guys are something else." Or it will be a jazz fan, sitting in the back of the venue during the set, bobbing his head, eyes closed while the band does their thing on stage. Or one of the club's stagehands will comment, while helping break down the lighting rig, that he actually enjoyed a band he was working for for once, despite having heard thousands of bands on the job over the years. And therein lies Streetlight Manifesto's appeal.
Seven guys, seven different musical backgrounds, seven different personalities, one band, one unique and unmistakable voice. Formed four years ago in New Jersey as an ad hoc group intended to put out one album and disappear, one thing led to another and within a few months of their debut release, Everything Goes Numb, Streetlight Manifesto was officially a full time touring band, traveling the world, spreading their infectious and energetic tunes to all who would listen. One part rock, one part ska, with influences from latin, klezmer, folk, world, funk, jazz and classical thrown in, the band redefined what most people expected from a "ska" band. Three albums later, and after countless worldwide tours, the guys are still at it, still performing live to sold out shows filled with sweat drenched fans, all dancing and singing along at the top of their lungs. And the Streetlight boys wouldn't have it any other way.
Of all the various compliments Streetlight Manifesto have received from fans over the years, there is one in particular that seems to resonate most with the members of the band. After a show, a kid in torn jeans and a Pantera shirt, sporting ridiculous facial hair, will find one of the Streetlighters outside of the club and say hello, followed by "Man, I don't listen to this kind of music, in fact I hate most ska bands, but you guys are something else." Or it will be a jazz fan, sitting in the back of the venue during the set, bobbing his head, eyes closed while the band does their thing on stage. Or one of the club's stagehands will comment, while helping break down the lighting rig, that he actually enjoyed a band he was working for for once, despite having heard thousands of bands on the job over the years. And therein lies Streetlight Manifesto's appeal.
Seven guys, seven different musical backgrounds, seven different personalities, one band, one unique and unmistakable voice. Formed four years ago in New Jersey as an ad hoc group intended to put out one album and disappear, one thing led to another and within a few months of their debut release, Everything Goes Numb, Streetlight Manifesto was officially a full time touring band, traveling the world, spreading their infectious and energetic tunes to all who would listen. One part rock, one part ska, with influences from latin, klezmer, folk, world, funk, jazz and classical thrown in, the band redefined what most people expected from a "ska" band. Three albums later, and after countless worldwide tours, the guys are still at it, still performing live to sold out shows filled with sweat drenched fans, all dancing and singing along at the top of their lungs. And the Streetlight boys wouldn't have it any other way.
Quote:
Member
- Tomas Kalnoky - singer/guitar/songwriter
- Matt Stewart -Trumpet/Vocals
- Jim Conti - Tenor/Alto Sax, Vocals
- Nadav Nirenberg - Trombon, Vocals
- Mike Brown - Bari/Alto Sax, Vocals
- Pete McCullough - Bass, Vocals
- Chris Thatcher - Drums
Gimp
Spoiler for Gimp:
Merupakan three piece punk band dari East Brunswick, New Jersey.
Di motori oleh Tomas Kalnoky, Gimp merilis satu kaset pada tahun 1995, berjudul Smile for Macavity. Pada saat itu, Tomas bernumur 15.
Band ini menampilkan drummer Chris Greer dan bassis Jason Scharenguivel, keduanya ikut bersama dengan Kalnoky ke Catch 22, meskipun Scharenguivel pergi setelah perekaman Rules of the Game. Saudara Kalnoky, Achilles bermain biola pada lagu "Supernothing".
Sering di konser Streetlight Manifesto, fans akan berteriak "Butterworth" dalam upaya untuk membuat Kalnoky membawakan lagu Gimp "Mrs Butterworth's Indestructible Bom Shelter", tapi Kalnoky menolak dengan "I wrote it when I was nine, its the most embarrassing thing I've ever written, stop saying Butterworth"
Spoiler for Member:
-Tomas Kalnoky - Lead vocals, guitar, songwriter
-Chris Greer - Drums, backup vocals
-Jay Scharenguivel - Bass, backup vocals
-Achilles Kalnoky - Violin on "Supernothing"
Catch 22
Spoiler for Catch 22:
American ska punk band dari East Brunswick, New Jersey. Band ini dibentuk oleh gitaris / vokalis / songwriter Tomas Kalnoky dan drummer Chris Greer yang merekrut Kevin Gunther (trumpeter), yang bekerja di sebuah toko musik lokal. Bassist Josh Ansley, saxophonist Ryan Eldred, dan trombonist Jamie Egan, yang termasuk kelompok high school, membentuk lineup asli Catch 22.
Di Catch 22 , Tomas Kalnoky hanya berkontribusi pada Rules of the Game Demo dan album pertama dari Catch 22 , yaitu Keasbey Night , yang merupakan album Catch 22 yang mendapat reaksi bagus dari fans. Tapi setelah itu Tomas memutuskan keluar dari Catch 22.
Spoiler for Streetlight Manifesto's Keasbey Night:
Pada tahun 2004 Kalnoky memutuskan untuk re-recording Keasbey Night dengan band barunya Streetlight Manifesto. Keputusan itu dipicu oleh rencana Victory Records 'untuk kembali merilis album dengan konten tambahan'. Dimana Kanolky tidak setuju dengan itu jika hanya merilis album sama dengan cover baru , sekalian aja remake ulang.Versi ini meliputi perubahan musik dan beberapa lirik dari aslinya.
Spoiler for Lengkapnya:
We wanted to get it right for once. Plus it helps me sleep at night knowing blood, sweat, and tears were put into a record as opposed to making people pay thirteen bucks for a record and they only get flashy new cover art. This release is a preemptive strike, I guess. Whatever you want to call it, it'll piss people off, and that, at the end of the day, is all that really matters.
If there's one thing I can't stand it's when a CD is re-released untouched sonically, with a new cover and maybe a live video, and kids are duped into buying this new edition of something they already have. I was upset when I was told the guys were going to do this for Keasbey, so I offered to re-record it because I've always thought it sounded like pure garbage sound-wise. Plus the budgets we get are laughable, particularly for a band with seven musicians to record. So we used some of our own money and took our time with this one. I'll tell you right now, we have no intent on hiding our intentions. We wanted to prevent the re-release of Keasbey untouched as well as get the record to sound how it should have sounded originally. For that we sacrificed months of our time and our money, and now we feel what we have is worth paying for. Although, truth be told, I don't care if a single record is sold, as it is indeed old music, and kids have a right to know what it is and to decide whether or not they'll pay for it. Do I think it's worth thirteen dollars? Yes, very much so, but that's my opinion. What other people decide, that's their own opinion. We're going to keep doing what we do whether or not a single record is sold.
Bandits of the Acoustic Revolution (BOTAR)
Spoiler for BOTAR:
Sebuah kelompok musik dari berbagai genre dan yang tak terdefinisi yang meliputi pengaruh dari ska, punk, klasik, dan musik timur-bergaya Eropa. BOTAR terdiri dari Tomas Kalnoky, Jamie Egan Nick Afflitto, Marcy Ciuffreda, Rachel Goldstein, Layton Hayes, John Paul Jones, Achilles Kalnoky, Paul Lowndes, Chris Paszik, Mark Rendeiro, Dan Ross, Pete Sibilia , Thomson Shane, dan Natalia Ushak. Tidak seperti band serupa lainnya , terutama yang menggabungkan ska dan punk, BOTAR dengan unil mengkombinasikan semua dengan sedikit rasa musik classical , dengan mengambil bentuk sebuah ensemble yang sepenuhnuya akustik.
BOTAR dapat dianggap hanya proyek sampingan, Tomas Kalnoky lebih fokus pada Streetlight Manifesto. Terlebih, beberapa anggota BOTAR juga anggota Streetlight Manifesto. Pada akhir 2003, BOTAR mulai hiatus , tetapi ada rencana untuk rekaman di masa depan. Kedua band adalah anggota Grup RISC.
BOTAR dapat dianggap hanya proyek sampingan, Tomas Kalnoky lebih fokus pada Streetlight Manifesto. Terlebih, beberapa anggota BOTAR juga anggota Streetlight Manifesto. Pada akhir 2003, BOTAR mulai hiatus , tetapi ada rencana untuk rekaman di masa depan. Kedua band adalah anggota Grup RISC.
Toh Kay
Spoiler for Toh Kay:
Merupakan pseudo-name dari Tomas Kalnoky ketika bermain solo. Toh Kay baru punya satu album split bersama Dan Potthast dengan judul You by Me: Vol 1. Meskipun begitu , Toh Kay juga sering tampil live dan juga melakukan tour
official website : http://www.streetlightmanifesto.com/
ayo - ayo diramein
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