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Titian Introduction
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Titian Introduction
Titian (full name Tiziano Vecellio, AD 1490- AD 1576) was a representative [u]painter [/u]of the Venetian School in the high Renaissance of Italy. He was a student of Giovanni Bellini and was influenced by Giorgione. Titian was known for his longevity, at least into his late nineties. When he was young, he inherited and developed the [u]painting [/u]art of Venetian school under the guidance of humanism, and pushed the application of color, shape and brush strokes [u]of oil painting [/u]to a new stage. The emotion contained in the [u]painting [/u]is full and profound. As Giorgione's assistant, he helped [u]paint [/u]the scenery behind Sleeping Venus. The religious [u]paintings [/u]"Tax Silver" and "Assumption of the Virgin Mary" reflect the moral concept of the emerging bourgeoisie. Mythological works such as "Eros Festival" and "Dionysian and Princess Ariadni" brimmed with joyful mood and exuberant vitality. After Charles V made him a nobleman in 1533, however, he painted works that sought to meet the people of power, such as "Spain Saves Religion" and "Philip II dedicates the newborn Prince Don Ferdinand to the God of Victory." His portraits reveal the inner world of his subjects. Middle-aged [u]painting [/u]style meticulous, steady and powerful, bright color; In his later years, the brushwork is bold, and the tone is simple and varied. [u]Oil painting [/u]techniques in the late European [u]oil painting[/u] development, has a great influence. https://painting-portrait.com/
Both Titian and Giorgione were students of Giovanni Bellini, and Titian became a great admirer of Giorgione's colors. In 1508, Titian helped Giorgione [u]paint [/u]the front of a German merchant's warehouse in Venice, and was influenced by Giorgione. In fact, some of Giorgione's unfinished [u]paintings [/u]were done by Titian. Due to Titian's careful imitation, there are so many similarities in conception and color that, if it were not noted who had painted them, one would not be able to tell which was Titian's and which was Giorgione's. But on the whole, Titian's artistic accomplishments were much higher than Giorgione's, not because he lived longer, but because of his passion for life, his passion for things. Titian lived a wide life and was quick to think. He found the beauty of objective nature and kept pace with the pulse of The Times. https://painting-portrait.com/
After the deaths of Giorgione and Giovanni Benaini, Titian became an independent painter in Venice. He was elected to an official position in Venice, but the painter was not interested in this, and he politely declined the high salary. For in the Republic of Venice the court [u]painter [/u]was in fact no more important than the court musician, the cook, or even the clown, and he preferred to remain independent, seeking more freedom to attract customers, than to submit himself to a certain authority. In the history of art, Titian was the first painter who was not attached to a ruler. King Henry the Third of France visited his studio, and the Roman emperor Charles V, surrounded by his entourage, found a paintbrush on the floor, bent down to pick it up for him, and said to him wittingly, "The greatest emperor of the world picked up a paintbrush for the greatest painter." Titian died on August 27, 1576.
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